Moments For Lovers

These are the moments inside the moments,

These are the plans we envision and see,

Harrowing minutes and fighting visages,

Concerto of feeling—love’s melody.

 

We have spoken through silence for years,

Our faces embossed in moments of light,

We are facing the calamity of decisions,

That we don’t know how to fight.

 

We are suspect with our garrisons and vigils,

Ignoring the infirmary’s call to our ills,

Unto the death of us, admonishing hope,

Until we’ve extinguished all our will.

 

Speak to me tonight, dear friend—my lover!

Be thou against my body breathing tender sighs,

I am unable to free myself o’ your expanse,

Kneel down between my bleated sighs.

 

I am lost in life’s tired, unmarked cacophony,

Interpreting your grace from across the divide,

Apprehending feeling lost to time’s hegemony,

While gripping hands and slipping against the tide.

 

Be mine tonight, dear lover and spring into the sun!

We’ve come to deal deftly against the rakish groans,

The fears of men suspended dealing us their stones,

In love until the mooring—until time erase our bones!

 

I am lost in you as life—refuge and haven for my lungs,

Gasping and straining to breathe whilst an ode unsung,

Lead me fair beauty in countenance, place your hand in mine,

For we are fair in time now earthly, but end is close behind.

 

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7 Responses to Moments For Lovers

  1. As poignant of lines as you’ve ever written. You have a gift, Roman. With words, and especially expresssing those dark emotions we so rarely face. But the end is not close behind. We can learn how to fight, find the will. There is hope. Have faith.

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    • Carmine BellThank you for this Web site, giving well-deserved reooingticn to creative artists working in behalf of the 99%.I really enjoyed hearing/reading Richard Downing’s poem Howl Again. It captures the ethos of the Occupy Movement and exemplifies ingenious, effective use of many devices of imaginative literature irony, of course, but also metaphor, simile, oxymoron, allusion, deliberate repetition for effect (like Ginsberg’s Howl ), enjambment, etc. The poem uses the devices so appropriately and effectively that readers can read, understand, and appreciate the poem’s content with no conscious awareness of these devices as artificial or intrusive. The conclusion is masterful in its climactic effect and hope for real change. Carmine Bell

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  3. Yes to both of yoru questions. Start with where you live. I don’t know what crtouny you are in, or what city, but go to your local newspaper first and ask if they publish poetry. Then go to your local library, and ask about magazines that publish poetry. But DO NOT get involved with people who want you to pay them to publish your poetry. That’s a scam.